Textual analysis of the profile descriptions is combined with a quantitative representation of disclosed penis size and sexual position, which is presented visually by two figures. Specifically, in excess of 6,900 performer profiles sourced from ten commercial websites are analysed. This article combines qualitative and quantitative textual approaches to the representation of penis size and sexual position of performers in ten of the most visited gay pornography websites currently in operation. Limitations of the current research and avenues for future inquiry are elucidated. Contrary to our predictions, few statistically significant associations were observed for internalized homonegativity. Gay participants’ endorsement of traditional masculinity correlated positively with the belief that reluctance denoted heterosexuality and that ‘masculine’ attributes were erotic. Variables that are often linked with masculinity and sexual satisfaction were accorded the most erotic value. Results suggest that performers’ reluctance to engage in certain sexual acts is a believable indicator of heterosexuality. The 20 most salient indicators of heterosexuality were then examined by a larger sample of gay men (N = 214).
In a first study, which was exploratory in nature, a sample of gay men (N = 56) evaluated 53 variables on the dimensions of believability and erotic value.
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The current article evaluates the perceived believability and erotic value of variables used to code a male performer as ‘heterosexual’ in gay SEM. However, research has yet to examine gay men’s perceptions of ‘straight’ men in sexually explicit material (SEM). stating they are straight) to perform gay sexual acts. Gay pornography has traditionally utilized male performers who are coded as ‘heterosexual’ (e.g. The implications for the existence of this subgenre of gay pornography are examined. Based on this examination, three distinctive methods used by the poverty gay-for-pay subgenre to code the male performers as genuinely heterosexual are discussed: (1) survival sex (2) the father figure and (3) reversal of power dynamics. Studio history, online media content (text, photos, video, audio), and featured performers are reviewed.
Informed by previous literature, the current article discusses the unique multimodal messages employed by each studio to suggest the male performers are authentically heterosexual. The following paper is a reading of the visual and textual content of the poverty gay-for-pay pornographic websites Gemini Men and Workin’ Men XXX. Instead, it fetishizes elements of the tangible destitution experienced by the ordinary Joe male performers, such as homelessness and past incarceration, used to leverage gay sex acts from typically heterosexual men. Poverty gay-for pay, a lesser-known gay pornographic subgenre, is devoid of the contrivances and modelesque men who populate mainstream gay-for-pay porn. The gay-for-pay genre of gay pornography often utilizes inauthentic narratives, situations, or settings to indicate its male performers are heterosexual and partaking in on-camera gay sex strictly for remuneration. Also considered are the ethical implications of such male sexual abuse fantasies, which is a subject of lasting trauma for victims, and one that poses unique challenges in wider contexts. The study ends with discussion of the anxieties and appreciations the site has prompted in viewers, and the presentation of two themes in particular: ‘bad porn’ and ‘harmful porn’. More than 500 comments over a 2-year period help explain Boys Halfway House as a variant of extreme pornography, and canvas a range of views on rape and humiliation fantasy in gay porn more broadly. This article reads viewer commentary of scene updates on review site so as to consider the controversy associated with the proliferation of gay ‘abuse porn’, and of Boys Halfway House and its theme in particular. It is a recent addition to the genre niche of abuse and exploitation pornography sites that have surfaced in recent years. Boys Halfway House is a gay bareback pornography website that purports to host the recorded abuse exploits of managers of a halfway house.